Last month’s “Rural Heritage” featured a new enterprise in town, a first for Hampton – the Quiet Corner Winery at 217 North Bigelow Road. The property itself, however, is one of Hampton’s oldest.
Sometime between 1717 and 1723, early settler Samuel Ashley purchased five, one-hundred acre lots in the town’s northeastern section known as Apaguag. The parcel encompassed the property east and west of North Bigelow, from Pomfret Road, along Hammond Hill, and south at least as far as Sarah Pearl Road. Samuel Ashley is listed as one of the first members of the church, established as a parish in 1723. He also sold a parcel of his land to Reverend William Billings, the first pastor, who subsequently built the first parsonage at the summit of Hammond Hill.
Ashley’s house at 217 North Bigelow was the first to have been built on his property. The earliest written reference to the property’s buildings is 1756, however since the house is oriented south, it was probably built prior to 1750, which makes it one of the town’s oldest. After 1750, houses start to face the street. The parcel east of North Bigelow was sold to Samuel’s brother, where the home at 218 North Bigelow was built directly across, and facing, the street.
The property, known as “Ha’ Penny Farm”, stayed in the Ashley family until 1867, for approximately 150 years. The 1869 map of Hampton identifies different residences on either side of North Bigelow, familiar old names like Holt, Fuller, Burdick, and including the residence of R. Ashley directly north of Bigelow’s old brick school house.
Elizabeth Milner, a frequent contributor of poetry to the Gazette, and whose family is still associated with the place they called “Windrush Farm” wrote: “When my husband and I took over Windrush Farm from my husband’s parents, Jim and Annis Milner, the acreage included a small piece of land up the hill, on the east side of the corner of North Bigelow, where a new house was being built. On this piece of land there was a stone cistern supplying good water that gravity fed to a stone well near the drive shed, later the garage, near the front gates of Windrush Farm.”
Jim and Annis purchased the property from George and Content Miner, who was, reportedly a Taft. The Miners “came for summers in Hampton from Providence,” Elizabeth relayed. “Mr. Miner had written a book about the art community of Providence, he painted, and he had encouraged his grandchildren to paint.” When the Milners moved in, the walls of the barn were decorated with the watercolor paintings of the Miner’s grandchildren.”
“There existed the remains of a very early barn, out building, or even perhaps a small dwelling on the north side of the land below the house and upper field, but new owners may have cleared the remains away,” Mrs. Milner wrote. The barn still standing on the property identifies the “Ha’ Penny Farm” as a dairy operation. “When my husband and I became owners of the farm, the barn was in need of repairs. The far side of the barn where the cows entered into the barn had to be removed as it was in very bad shape. We regretted that this was necessary because it had been a very special part of the building. The back area was at the same level of the lower field and so it had a sloping roof that joined the main building and was not the same height as the main part of the barn. Each cow came into this section through a separated opening with wonderfully turned arched dividers that were quite ornamental, They seemed to us to show very clearly how valuable each cow was to the owner,” she described. “The barn itself was completely and carefully lined with narrow wood set on an angle which again showed the care taken when the building was originally constructed. A fine large window at both upper ends of the barn made it a glorious place to be on a sunny day.”
The Milner’s daughter decided she wanted to be married at Windrush Farm, with the ceremony on the lawn and the reception in the barn. “So the barn was cleaned and the interior scrubbed and the platform at the far west end was set with tables for food and a long table going from one end to the other end of the barn was set with tables for dining.” On June 29, 2003, “a gloriously warm and sunny day, Wendell Davis performed the service on the lawn… there were drinks on the stone terrace, dinner in the barn, toasts and dancing.”
Besides a respectful and loving shelter for the cows, later horses, an art gallery of sorts, and a wedding, the barn knew other interesting uses. In 1963, the barn, owned by the Miners at the time, served as a stage for the play Rumpelstiltskin, which was filmed by William Claiborne, whose company was Sterling Educational Films. Mr. Claiborne lived in New York City and summered here on Fisk Road.
“The first thing that comes to mind is the little tune that led to the end of Rumpelstiltskin,” Jeff Woodward, who played the title role, wrote. “As I remember it:
Today I dance,
tomorrow I sing,
the next day here the Queen’s child I’ll bring
‘tis lucky indeed not a soul does know
my name is Rumplestiltskin, Ho Ho Ho.
“In the movie Louie Chatey and someone else I can’t recall were sent out into the forest to search for me by the Queen, find me dancing around a ‘campfire’ singing that tune.The next day when I appear in the Queen’s room and get ready to scoop up the baby, Diane Hansen, the Queen, starts out with, ‘Is it Aardvark?…is it Ishkabibal?’and with a smug smile, ‘or is it, perhaps, Rumplestiltskin?’ I proceed to jump up and down shouting ‘The Devil told you that! The Devil told you that!’ until I disappear leaving a smoking hole in the floor.”
“I remember auditions were held after school,” Louis Chatey recalled. “There was a table set up on Scott Johnson’s lawn across the street and kids went over and were signed up. Mrs. Ostby and another woman served as casting directors, and they kind of looked you over and probably asked you a few questions and that was that. Steve Inman was cast as the King, Diane Hanson the princess, Jeff Woodward as Rumpelstiltskin and I was cast as the ‘special messenger’ who spied on Rumpelstiltskin and ratted him out to the princess. They called our troupe the ‘Hampton Ha’ Penny Players’,” a reference to the original name of the farm. “We filmed upstairs in the Miner’s barn, downstairs were dressing rooms. Mrs. Hanson was instrumental in doling out the costumes and I remember having to change into a pair of tights and a tunic separated from the girls’ dressing room by only a hanging sheet.”
“I seem to remember you in a yellow costume and we had cardboard spears,” PJ Navin added. PJ had a dual role, “a page – wardrobe change – now a passerby!”
“I think it was the summer between 2nd and 3rd grade that one afternoon my Mom brought us over to Eben Ostby’s house where we had lemonade and cookies,” Jeff wrote. “I don’t remember any formal tryouts or readings just some people I had never seen before and a bunch of kids from school and lemonade and cookies. Then at some point a few days later my brother Jerry and I were brought up to Mr. Miner’s barn which was in a flurry of activity. A young woman got me into a scratchy costume and stuck a fake beard on with some kind of smelly glue. We would spend some part of the day doing ‘scenes’; we didn’t have to memorize lines as the actual movie was narrated but we did have to act out the various interactions. At the end of the day the beard was removed with more smelly stuff, and our reward was Oreo cookies and more lemonade. I was most impressed with the seemingly unlimited cookies. Eventually filming was completed and summer returned to normal. I do remember at some point my Mom showed me a check for my acting job, I don’t know how much I was paid and I never saw any residuals, it was to be my one and only foray into the world of cinema. Looking back, I am not sure that being the most Rumpelstiltskinesque 2nd or 3rd grader was good for my developing ego, but fortunately I was an oblivious 7-year-old and there were cookies!”
Cindy Pike-Piontak, who was one of the ladies in waiting, remembered receiving “$5 each time we showed up for a filming.”
The following summer, Mr. Claiborne filmed “The History of Hampton”. According to Louis Chatey, the premise was that the school bus, driven by Leon Pawlikowski, broke down at 217 North Bigelow, and so the children disembarked and sat in a circle “in the field overlooking Hampton Hill where we were given a history lesson on Hampton. Cut-a ways were filmed of different historic spots in town.”
Alma Pearl recalled, “I was on the bus when it ‘had problems’. The first time he stopped suddenly we all went flying. They had to do it again slower so we stayed in our seats.” Alma’s line was to mention that there was once a dam in the valley.
“I can remember sitting in an armchair at Claiborne’s house thumbing through my scrapbook on Hampton for one of the shots,” Debbie Fuller recalled. “I also remember walking with Steve Inman on Route 97 near Burell’s farm by the sign for the town of Hampton and spelling out the word ‘consolidated’ so it would look like we were talking.”
“My part was to happily skip along the dirt road to The House the Women Built,” Debbie Moshier remembered.
Jeff’s brothers Steve and Jerry were in the history film. “I remember Steve got a $5 bonus to pretend to slip, falling into the water at Pine Acres Lake.”
For those who are wondering, the film was shown as part of the Town’s 250th anniversary, but, alas, lives on only in memories now.
After the Milners, Melanie and Mack Johnson purchased the property, expanding the house, without compromising the integrity of its age, and graciously hosting fundraisers and committee meetings. With Melanie as a Selectperson and Mack on the Gazette board, the couple were well know, yet we still referred to the place as “the Milners”.
And today, when people ask – “There’s a winery in town? Where is it?” and we of a certain age answer, “The Milner’s”, the new owners, the Paines, graciously understand this, too.
Dayna McDermot